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Vinland Saga began it's first animated season this summer. The series focuses on Thorfinn Thorsson, as he embarks on a quest of revenge. His father, Thors is killed by Askeladd. Thorfinn joins Askeladd's band of Vikings, waiting for the day that he's strong enough to kill Askeladd in a duel. Revenge is a common theme in anime. Analyse how revenge is depicted, what are the effects on the main character and secondary ones.

Consider comparing and contrasting how the theme is presented in anime. You could focus on popular series like Vinland Saga, Attack on Titan, Kill La Kill, Demon Slayer: Kimetsu no Yaiba and Goblin Slayer. Some of these series are more violent than others. How does this effect the depiction of revenge? What happened that warrants revenge? Are the characters justified? Do they attempt revenge in different ways? Do they succeed? Are they all sympathetic figures? Finally, how does the pursuit of vengeance change them.

Korean's broadcast channel Mnet has been found out that they fabricated the final results of their survival shows Produce 101. On these survival shows, the audience has to pay their own pocket money to vote for their contestants, so when the worth contestants don't get to win, it has become a legal issue. The contestants who join the shows can get the ultimate chance to become famous when they debut, but with the scandal going around, they are also in the pitfall of having the "Cheating" tag hanging all over them for the rest of their career. What are some of the risks of Produce 101 and Korea's Talent-Survial Shows in general? Is the temptation of becoming famous worth having your entire career suspected and hated by the nation?

The family unit has been at he heart of both salvation and destruction in recent horror films. Analyze some recent horror movies revolving around questions of family (familial curses in Hereditary, family-making in It) and discuss how the family unit can be a source of both fear and strength in these films

Since humanity's earliest days the ability to fly has long been one of the most innate yearnings of our species. This is reflected heavily in our fictional works, perhaps most noticeably in superhero comic books and films. However, not all heroes can fly (Besides the story's internal reasoning for their powers) what does this indicate about heroes who do have this ability and why? What does it say about those that don't? Comparison of multiple works may yield the most interesting results.

Most actors spend their careers playing fictional characters. However, many actors are chosen to star in biopics, Biblical epics, or similar films at least once. When an actor makes the switch from playing a character to portraying a real person, the gravitas factor goes through the roof, and while most actors will try to play real people respectfully and responsibly, there are some who arguably do it "better" than others. Just for one example, look at the many actors who have played Jesus Christ over the years.

In your opinion, what does it take to play a certain real role responsibly and respectfully? How much of a production team's choice is based on "casting type" and how much is based on say, personality or lived experience? What are some of the best biopic portrayals you've seen, of whom and by whom, and why? Discuss.

Saving Mr. Banks (2013) was something of a groundbreaking film for Disney. The company had done films based on true stories before, but Saving Mr. Banks was the first to juxtapose the story of a Disney classic's making with the story of the original work's author. Saving Mr. Banks met with critical acclaim and is also one of my favorites in the canon. In fact, I'd very much like to see more films like this.

Do other films in the canon, live-action or animation, lend itself to this type of storytelling? Would actors or viewers be interested in say, learning about the personal lives and struggles behind the makings of Disney's Golden, Bronze, or Renaissance films? Are there untold stories to be mined from animators (e.g,, Walt's Nine Old Men, female animators, etc.) and other production staff/voice actors? Discuss.

How does the experience of watching horror film differ when watching on streaming and on-demand services at home? With the rise of Netflix originals, is there still a place for cinema screenings of these films? In particular with the genre of horror, how much is the setting of your viewing an important part of the experience?

Analyse how schools should upgrade their current material to better prepare students for the modern world. May include a change in curriculum, how social media is/may be taught to them, security control, etc.

There is a vast array of literature that, in its time, was written with the intention of some form of social justice. An example of this is the much-cited "Uncle Tom's Cabin," by Harriet Beecher Stowe. However, as modern ideas progress and the willingness to allow every human their basic rights grows, we look back on texts like this and realize that the philosophy within it is antiquated and that its ideas on how to overcome racism simply don't suffice.

This in mind, how should we deal with texts like hers? Should we look at them graciously and say that, given the lack of understanding about true social justice, the author did the best she could based on limited knowledge? Or should we stop circulating and supporting texts like those because they do not go far enough in their attempts at fighting the social injustices of our day? Is there a middle ground?

The writer does not have to choose "Uncle Tom's Cabin" as their example–any older text with out-of-date social justice views would suffice.

We’re always told that potential employers will look at your online platforms and turn you down if you don’t fit their image, but is this idea losing importance now that you can become your own employer using a platform like YouTube. Yes, it takes time and effort but it can be done. Write!

A new Netflix original movie has caused a bit of a stir in the land of social media. A story about a teenage girl that feels isolated because of her height, has faced criticism for its focus on what people think is a rather minuscule issue. Does Netflix owe it to its viewers to produce content that centers around oppressed societal groups? That gives its voice to people that need it? Or is content really just that, meaningless content?

With a myriad titles being re-released on the Nintendo Switch at their original full price, the question is raised if games should still be worth the same amount as time progresses. Are we expected to pay the same for products that are re-released or should there be some reduction? It requires work to port and in some cases remake sections so profit is needed to pay for salaries, however, is the game still worth the same after time has passed. For example, Skyrim on the Switch is worth around £50 (original RRP) despite being 8 years old.

Following the release of Star Wars: The Last Jedi, the beloved franchise faced a substantial backlash from begrudged fans. Aside the criticisms for its slow pace and inconsistent storyline, the film and indeed the trilogy itself have been controversially criticised for its overuse of nostalgia and alleged focus on socially-driven plot details.

Analyse whether the Star Wars franchise has indeed applied an overuse of nostalgia in The Force Awakens and The Last Jedi or whether the fanbase is overtly critical of any additions to the film lore.

As someone who is an avid reader, I'm always going to bookstores and browsing through stacks of books. However, every time I return to a bookstore, I notice that the prices have significantly increased. Many people are not crazy about e-books; they prefer the written word. Therefore, it is difficult to justify spending so much money on a few books. On average, I have observed that they range anywhere from $25-$30. Why is it that movies can be rented for $4.99, but valuable pieces of literature cost almost triple that? Shouldn't the reading of literary masterpieces be encouraged? Books are outrageously expensive, and that detracts customers from wanting to spend the money. If books were less expensive, perhaps more people would read. Putting such an expensive price on creative writing seems non-sensical, and the world could benefit from this being changed. Authors must make commission somehow, but perhaps more people would buy the books if they could afford them. Yes, there are libraries, but bookstores have a wider range of books, and people can customize them by highlighting their favourite phrases or making notes. To put it simply, the increase in the price of books is unnecessary and creates more harm than help. The world could benefit from reading more literature.

Both The Walking Dead television show and the comic book series are incredibly popular, sharing similarities but so different in story and character arc that they constitute separate universes. Less well known (relatively) is the series of novels, written initially by Robert Kirkman with Jay Bonansinga, and later taken over by Bonansinga as the sole writer. These novels, set in the comic universe, explore the rise of the Governor in more depth, and then follow events in Woodbury after he is gone. What ways do the novels expand the world of the comics, in terms of character and plot development, and how does the post-governor Woodbury relate to other types of societies seen in the series?

In Showtime's "Billions", Asia Kate Dillon portrays the first non-binary lead character on television. Their well-developed character humanizes a group of individuals that struggle to find inclusion in our society. And their representation familiarizes Americans with the proper use of the "they" pronoun.

Why did Phil Connors experience a time loop and what caused it to end? What do the cause and effect of the time loop say about human nature?

What is it about YouTube videos that makes them more accessible and appealing to today’s inquisitive audiences? Why do people seem to prefer YouTube web video celebrities with little to no credentials or credentials in unrelated fields? Is it a matter of charisma? Confirmation bias? Laziness to read? A mix?

When studying history, scholars refer back to artistic work done in the time period to learn more about said time's societal behaviors, mannerisms and even etiquette. Strange Case of Dr. Jekyll and Mr. Hyde speaks loudly of Victorian society, Uncle Tom's Cabin of American society, The Ulster Cycle of Irish history, and more which gives us insight of past eras.

Which therefore made me question what history would say of us. What does the million of viewers/readers for Game of Thrones, Harry Potter, etc, say about current American society, if it says anything at all? Would there be an inaccuracy if future historians were to base off their knowledge of our culture on our literature top hits? Or is history based on literature, in fact, entirely inaccurate?

Potterheads enjoy asking each other which Houses they're from, and once you become a Potterhead, one of the first things you want to do (at least in personal experience) is get formally Sorted via a well thought-out quiz or app. It's not uncommon to go on social media and find people sorting their favorite media characters into Houses, putting HP Next Generation characters into Houses through fanon, and debating the traits of certain Houses and how they are or are not represented. (I myself am a proud supporter of Slytherin House redemption).

But, why all the fuss over this little bit of HP canon? Why do people get sorted over and over again, identify with more than one House, and so on? Several reasons worth exploring exist. For one, Ravenclaw and Hufflepuff are just sort of "there," while Gryffindor and Slytherin get all the attention. House Sortings are the closest we're probably going to get to a "real" Hogwarts if we can't afford trips to Orlando. Sortings help us craft new, fantasy-based identities that may help us handle some real-world problems to a degree. We might be looking for a "perfect" Sorting experience that hasn't been achieved yet.

Is it all of this? None? Are there facets not yet considered? Discuss.