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Emotional response refers to the way that the film spectator is manipulated by the micro and macro features of film; this process of manipulation is often designed to draw an emotional response from the spectator. There are many factors that influence the way in which we respond to popular film, viewing context, emotional tolerance and powerful film making techniques all influence our emotional response to popular film.

Look at the themes of character alignment and emotional response, cognitive theory and audience manipluation, alternative viewing context that are used within the film.

While time travel works are entertaining and interesting, one would still wonder what the audience can learn from these kinds of shows. The idea of going back in time or travelling to the future is appealing to humans because they know they can control time with this power, i.e. the forced events brought upon by the universe. Yet, we know that time travel is practically impossible and even if it were, it would be extremely dangerous as it messes with the forces of nature. Thus, what is the purpose of creating stories that portray the possibility of such a phenomenon? works including "The Time Machine," "Doctor Who," "Back to the Future," "Steins;Gate," "Life Is Strange," etc. can be mentioned to illustrate with examples.

Emotional response refers to the way that the film spectator is manipulated by the micro and macro features of film; this process of manipulation is often designed to draw an emotional response from the spectator. There are many factors that influence the way in which we respond to popular film, viewing context, emotional tolerance and powerful film making techniques all influence our emotional response to popular film.

Using both popular examples (e.g. Grand Theft Auto series, Elder Scrolls Series, Minecraft, Skate, Assassin's Creed, etc.) and less popular titles, analyze how games give players the freedom to do as many things as possible with a main mission line looming in the back.
Which games limit features that can only be unlocked by progressing far enough in the main story?
Do some games unlock all features before the main mission is even completed?
Games like Skyrim and Spider-Man (2018) can randomly generate enemy encounters for the player. Is this implemented to give the illusion that there is another world outside the main story? That the player can comfortably abandon the main story since the rest of the game's "world" keeps on going?

We can all name more than one game franchise that's essentially a recycling of sorts. A lot of R&D goes into improving features and adding new ones, but they still "feel" the same once gameplay begins. Why does this happen? Are such games not receiving enough hard work? Or is it just us feeling that way while the truth is different?

Witcher 3 – why was it more than just a game? It was the prerequisite for the Netflix show. Pokemon games – why did they spawn a whole franchise of merchandise, TV shows, and more? In this article, I will dissect what makes a game have that sacred "emotional connect" for most of the people who play them.

Look closely at the film of The descent and compare to other British horror films to see whether ladder culture is present or whether they portray another theme of British culture. Compare the films of your choice and see whether they have similar themes or whether they portray something different.

Video games that require or encourage violence are prolific. There have been countless studies on whether the violence of such games has psychological impacts.
But, what are the moral implications?

Using a selection of games that involve violence, consider whether it is morally wrong to 'physically' harm a virtual character. Explain why.

You could argue either side of this argument, or argue that the moral implications differ depending on the situation. For example, perhaps some forms of violence are more acceptable than others (e.g. fighting vs. murder). Or, maybe there's a difference between harm the game tells you to inflict to complete an objective, and the harm you choose to inflict but has no bearing on your completion of the game.

Ensure sound justifications are provided for whichever stance you take. Relevant philosophical discussion would complement this topic well.

In 1796, Matthew Lewis published the novel 'The Monk'. An early example of 'masculine', or horror gothic, it covers many shocking and depraved themes.
In 1797, Ann Radcliffe published her 'feminine', or terror gothic novel, 'The Italian'. It is viewed as a reaction or response to Lewis' novel. It discusses some similar themes, but in a milder way.
An article could compare and contrast these texts. Worth noting is the things they do the same, such as offering commentary on Catholicism or exploring issues of love and sexuality.
They also differ in several ways, from opposing treatments of women and the use of supernatural occurrences.
Overall, the article should conclude the ways in which Radcliffe has used the original to build her own story, and also where she has deliberately chosen to deviate from Lewis' text. Potentially offer insight into how the two authors' differing approaches reflect the society at the time. An in depth understanding of horror vs. terror gothic would be worthwhile in building a substantial argument.

Many are likely familiar with well-known anime like Sailor Moon or even Cardcaptor Sakura. But, how do these anime, and others in the magical girl genre, counter (and support) existing gender roles? Are they empowering or do they support existing beliefs? Answering these questions, with available resources, would be an important part of any article on this topic. Such an article could also compare and contrast with Western animation, showing the differences between those animated shows and anime. In any case, this topic is broad enough to allow for a litany of articles, of various types, on this subject, no matter which one the writer chooses to follow.

What causes someone to choose a "nom de plume" ("pen name")? While living in the Internet age, most people are completely comfortable with the idea of identifying themselves online with names other than those they were born with (i.e. usernames). When it comes to writers, the Brontë sisters all used male pseudonyms in order for their work to be taken more seriously. J.K. Rowling was encouraged to hide her sex when the Harry Potter series was initially published because it was feared young boys would not read her work otherwise. Later, J.K. Rowling herself disguised her world-famous name with the pseudonym "Robert Galbraith" when she departed from Harry Potter-related works. However, it is not only women who take up a "pen name." Lewis Caroll, Mark Twain, and George Orwell are just some examples of this. Much like a "stage name" can serve to reinvent oneself into a more exciting character than one's birth name would initially suggest, what are the myriad reasons for which authors choose nom de plumes? What do they seek to change or perhaps maintain? Have the reasons for pen names changed over time? If so, how?

In stories of Greek mythology, Ares is not a god other gods like. Zeus calls Ares (his own son) the god he hates most of all. This is because Ares is out of control, bloodthirsty, and needlessly violent.

Hulk and Ares are parallels in the way they become consumed by rage. But the Hulk usually gets our sympathy, while Ares did not create sympathy. This might show a contemporary hesitation with unequivocally disapproving of raging violence. We could focus on Hulk as just out-of-control and destructive the way Ares was perceived by Zeus and the other gods. But we don't. Could our tendency to sympathize with Hulk show how hardwired we are now to see anything unusual or strange as a victim deserving our compassion?

Anime has such a wide variety of subjects that it explores. There are two animes, Deathnote and Neon Genesis Evangelion that have both subtle and obvious allusions to religion/spirituality. They both posses theological elements, which can be interesting to write about.

Think about these questions:
How do they use various theological elements to add to the overall meaning of the anime?

What seem to be the most interesting symbols and why would you consider them as such?

Does one anime use the symbols in a more effective manner?

I would like to propose an article that studies the evolution of gender diversity and representation in animated media with a particular comparison between Western and Eastern animated media and their subsequent progress. Cultural stereotypes and societal perceptions have always played a great role in influencing the type of media that is usually made available to the public. The same could be said in the case of the animation and anime though through the course of history, the two mediums have taken different approaches in representing gender diversity on screen. How this comes to reflect upon the relevant societies and communities involved as well as the greater evolution of the story-telling medium may offer unique insights into modern discussions on the same topic.

It is natural to be inspired by the works of your favorite author when writing your own story. Needless to say, there are many books whose stories show signs of inspiration from older works leading to a contesting balance between seeking inspiration and plagiarism. One such book that skirts the border between the two involves Terry Brooks' "The Sword of Shannara" often criticized to have plagiarized Tolkien's Lord of the Rings. The book has nevertheless found its share of audience and was a massive success. I propose an article that discusses how Brooks took Tolkien's fantasy formula and used it to provide major boost to the fantasy genre in the post-Tolkien era.

The genre of "Chick Lit" is often seen as nothing other than feel good and fluffy. However, can the argument be made where this genre can be seen as anything more? Should it be seen as more? Should those who read this genre feel shame?

Choose a few books that support your position on the topic, and explain why you think it is one way or the other.

Analyze how writing techniques are used by journalist on all aspects of the political spectrum to paint politicians in a specific light. Some journalist might play with elements of the truth or take phrasing out of context to go after an opponents reputation. An example of this from the United States of America might be how journalist on the right side of the spectrum go after progressive senators like Bernie Sanders or Alexandria Ocasio-Cortez. They tend to portray them as communist, but they are actually self-proclaimed democratic socialists. The left in the United States of America also does similar things to the right. The article can also go into the the dangers of avoiding neutrality in political journalism and letting readers come to their own conclusion about political figures. Or, it can dive into the risks of creating a veiled portrayal of neutrality regarding political figures when the writing is not. The writer can also discuss the effects of polarization when it comes to political writing. This topic could be a delicate subject to write about since, for readers in the U.S, it is very close to elections. Nonetheless, it could be a good opportunity for an analysis of journalistic writing.

It seems as though in more recent years, video game developers are adding familiar faces to their stories. We saw Ellen Page in Beyond: Two Souls, the star-studded cast in Death Stranding, and Keanu Reeves in the highly anticipated Cyberpunk 2077. Does seeing a specific actor in a game entice you to purchase it, or do you lose the immersion factor?

Even though the manga has been around since 1997, One Piece is still active. Eiichiro Oda, the writer, has hinted possible endings in the past. However, he seems to continually extend the timeline of the story. Other popular manga that originated around the same time have long since ended; for example, Naruto, Hunter x Hunter, and Bleach. But, that is not the case for One Piece. The writer can discuss whether or not the decision to keep this manga going has damaged the storyline. Some speculate that the writer has the ending written already and he is simply filling in the gaps. Does the manga's continued popularity show that it has become living Oda's legacy?

On September 21st 2020, Microsoft purchase Bethesda Softworks and its parent company ZeniMax Media in a massive $7.5 billion dollar deal that has the potential to reshape the video game landscape. Due to the massive deal, Microsoft now owns acclaimed game studios like Arkane Studios (Dishonored), ID Software (Doom), Machine Games (Wolfenstein) and Bethesda Studios (Elder Scrolls and Fallout), all of which create multiplatform games that regularly release to critical and commercial acclaim. Microsoft and Xbox have been criticized for its lack of first party games (in comparison to its competitors Nintendo and Sony) but the purchase of Bethesda and its parent company could rewrite this narrative and push more consumers toward the Xbox platform. Will the massive purchase help Microsoft sell its new Xbox consoles this fall?