While Yugioh is better remembered and known as the franchise for the card game that catapulted it into the limelight, in terms of its story, there exist many darker elements behind the shounen facade. Even early on in Yugioh's creation as a manga, there were depicted all sorts of "games" that would've been more at home in the Saw film series: immolation from ice hockey, a roller-coaster that electrocuted anyone who makes a sound and Russian roulette with a fatally poisoned dish to name a few.
And of course, the losers of these games were often depicted as suffering gruesome ends (sometimes censored even for the anime) that were initially caused by the darker half of the main character Yugi Muto. What's more, all these examples of mortal peril, realistic or supernatural, existed on top of the suspense and mind games into the characters' vulnerability, a noteworthy example being the character Mai Kujaku/Valentine's entrapment in an hourglass of man-eating bugs while she was mercilessly taunted on her own self-worth.
Consequently, with so many sinister themes shadowing the lighter ones throughout, should Yugioh when treated as a story be recognized in hindsight as much of a horror manga as well as shounen despite its creator Kazuki Takahashi saying otherwise?
This is a great twist! I always felt this away about some kid's shows re-watching them when I'm a but older, sitting there going "how did that not scare me? That's messed up!" I'd love to see this perspective brought out on the anime and then another section afterwards saying "what they animated was awful, but now look at all the stuff they cut out for it, it gets worse!" People love knowing dark origin stories of kid's shows, just look at the Pokemon theory of Gary visiting his dead pokemon you killed in Lavender town in the games. – Slaidey9 years ago
I'm not sure if this topic was created before the most recent Yu Gi Oh article was posted, but this idea of "horror" has already been covered on the website. Great idea, though. – Jordan9 years ago
perhaps psycological fits the story better. It isn't really horror despite some of the darker notes. I would recommend writing this as an analysis of where on the spectrum of childish to horror this falls. – Jutor9 years ago
Requires having completed the series. A lot of people claim Kishimoto does not really have the guts to kill characters off. While this is more or less true, and while there have been some moments where most other writers would’ve killed their characters where Kishimoto failed, the concept of death is a very real presence. Examine how through the characters of Kushina, Minato, Obito’s afterlife sequence, Kakashi with his father, and of course Hiruzen, Jiraiya, Itachi, Asuma, and Neji.
Freud, Erikson, and Naruto’s Stages of Development: People like Freud and Erikson had their social stages or psychosexual stages of development. This idea would seek to determine and tell where Naruto stands vs. where he’s supposed to stand. How has this effected his growth from the loud-mouthed 12 year-old to the mature adult he had later become. For whoever does this article: Make sure you have at least a basic knowledge of the stages of development in Erikson as well as Freud and have completed the manga series.
So, Kishimoto is at it again and Naruto hasn't died as a story yet. However, Naruto Gaiden, the sequel set after the events of Naruto Shippuden, explores themes different than the original series such as the real definition of a mother, maturation, angst and identity crisis not to mention a spectacular female lead character. Many criticized Kishimoto for not being good with female characters but this time, it seemed it worked very well. Well enough to put previous characters to shame. Thoughts?
I feel that said female character isn't a strong female character, just a strong character that happens to be female. And what said female character is going through isn't exactly unique, even if her reactions are. It's a different personality going through the same situations, albeit in a different way. Still a great after series though. – Austin10 years ago
It seems that the formula being used in Gaiden is exactly the same as in the original. Angsty teen struggling to find a place to fit in + power + determination = a way to find it. Gaiden seems more of a fan service than anything though, particularly in the early chapters. Kishimoto, in my opinion, seems to be completely burned out on Naruto and is attempting to settle it down by getting to what he originally aimed for in a hurried manner. This is probably because he realized he wasted too much time and created far to many mysteries to be resolved. – garywhinton9 years ago
Universal Studios, one of the more venerable studios still around since the early era of film had never achieved a "billion" dollar film until Furious 7 crossed that threshold this summer. The Fast and Furious series never seemed to be destined for the financial and critical acclaim it is currently celebrating. What started out as a bland remake of Point Break, that somehow justified three sequels of debatable quality, ultimately led to the first major Hollywood cross-over franchise film in the 5th one. This article would look at how luck, circumstance, casting conflict, and one determined director created the first successful cross over movie, taking disparate elements of stories by other people and fashioning them into a coherent whole.
I would love for someone to talk about why Spidey hasn't been included in an Avenger film yet. I suspect it has less to do with narrative arc and more to do with contract and copyright law. – Jeffrey MacCormack10 years ago
It is contract law. Sony has the rights to Spider-man's on film, which it leased from Marvel. Marvel can get it back if Sony never makes a Spider-man film within a certain amount of time. But now that they've made some sort of peace and agreed on revenue sharing, so Spider-man's going to show up in Captain America 3 and probably others down the line. – rj2n10 years ago
^Exactly. To add onto your point, last year's ASM2 suffered from critical and commercial underperformance. The damagingly revealing Sony hack late last year also probably pushed Sony into closing a deal with Marvel. – BradShankar10 years ago
I often find myself thinking, "this should be adapted to an anime" while reading manga. It would be great to make a list of the top manga that we think should become an anime and a good explanation why.
Interesting, though with some constraints. For example, new manga (less than 10 chapters) could be immensely popular, but adapting into anime could create a problem because there are so few chapters to be adapted. Mid-length manga (~50 chapters) is a safe bet, and then the discussion will become what appeals it has in order to be adapted into an anime (e.g. fan service, comedy; after all, anime companies want to make money out of the production). There are some long and old manga that have been adapted in recent years, such as Parasyte and Ping Pong (and one could also count re-make of Sailor Moon). The discussion could be about why there seems to be a surge of adapting old manga in recent years. – Justin Wu10 years ago
An article exploring the collaborative effort to translate Japanese manga to English and other languages. How does it work? Are official translations more accurate? Explore both official translations and fan translations.