The Internet is rife with communities encompassing various topics and mediums, ranging from niche comic-book properties to history buffs. Animation has spawned different communities within the realms of anime, western animation, online independent animation, etc. The most known, or vocal at least, seem to be on Newgrounds and YouTube, in which the latter consists of YouTubers reviewing cartoons. What are the aspects of these communities who dedicate themselves to discussing cartoons? What types of people are involved, and how do they view and treat the subject matter they name themselves after?
The new original content that is available on DC's streaming service are Titans and S3 of Young Justice. Both are matured interpretations of DC's "younger" teams and both have Dick Grayson as the primary character. What is the appeal of making shows about younger heroes. How do they differ from prior interpretations (Teen Titans, Teen Titans Go!, S1&2 Young Justice, etc.)
I think this topic definitely has to delve into the history of superhero comics, particularly with teenaged sidekicks. As far as I understand, for so long, superhero sidekicks were often young teens who weren't developed much beyond aiding the main heroes. Heroes such as the Teen Titans and Young Justice allowed comic-book readers, who were mostly young children and teens, to see themselves represented and allow them to relate more to them. The sidekicks weren't just sidekicks anymore, they were their own heroes, but like youth, were still learning about the world and themselves. Many still faced regular teenage challenges while navigating dangerous lives. From a more cynical and business perspective? Money. Having younger heroes allows networks to target younger demographics, and thus catch more views and sell more toys for kids. This is especially present with action cartoons, many of which have of course been in the superhero genre. TTG, as hated as it is by many, is CN's most profitable ongoing IP due to this, though its views do seem to be waning as of late. (Though this may be a part of the general decline in cable TV ratings) – ImperatorSage6 years ago
"Pinky and the Brain" and "Rocky and Bullwinkle" were two series that often contained subtle and, at times, not so subtle jabs at politics. An example is an episode of "Pinky and the Brain" where the Brain found a Rush Limbaugh record where Limbaugh sings and the Brain is going to use it to "try to takeover the world." There may be other series that can be added to this essay, these are included here as examples. The broader theme is that political satire can be found weaving itself through several animation series. An essay can address the writers and what they said. In addition, did viewers pick up on the satire? Did the satire reach beyond the viewers? So, several issues, perhaps others, can be addressed in a well-developed essay.
I would try to be as specific as possible for this topic. Because the various political issues are many but certain shows somehow managed to greatly capture those issues. – BMartin436 years ago
I would also add that you should analyze how political satire in animation differs from political satire in live-action genres – Michael Scalera6 years ago
Good points raised regarding whoever may pick this topic to write about. I was undertake impression that topics proposed are to be written by others (not the writers proposing them). So I hope someone picks this topic, I'd enjoy reading the essay. – Joseph Cernik6 years ago
Analyse and discuss what makes Mulan different from (and arguably better/richer than) other Disney movies. Factors to discuss include the incredible historical story (based off a real Chinese legend), the fantastic music and most importantly, the heroine. Mulan is brave, smart and selfless. This is a girl who risks her life to save her father, serves her country and even saves her male love interest (rather than the other way around). She fights well physically but combines this stereotypically male approach with creative smarts and subtle tactics which represent a more feminine approach. Her character is not reduced to a basic caricature such as tomboy, sassy cynic, ladylike woman, or silly gushing girl. Mulan is a fantastic, multifaceted personality and the movie celebrates this by showing that Mulan succeeds ultimately because she embraces her whole self and brings a unique perspective and approach situations. It is arguable that no other Disney movie has quite lived up to quality of Mulan, whether by story, music or heroine standards.
Love the topic! It might also be beneficial to compare/contrast Mulan to other Disney women. For example, Ariel saves Eric's life--but she's also whiny, headstrong, and spoiled, unlike Mulan. Belle selflessly sacrifices her freedom for her dad, but doesn't stand up to the Beast or fight physically, the way Mulan does in serving/saving her country. Esmeralda also saves her male love interest but is arguably "reduced to...a sassy cynic" in a lot of her scenes. Additionally, discuss the facets of Mulan's personality--compare when she's more traditionally feminine vs. when she's trying to pass herself off as a man, and how/if her personality changes. – Stephanie M.7 years ago
Interesting, but for the person who picks this up, just remember that there are A LOT of articles on this site about Disney women. I suggest you read all of them and figure out how this one stands out from the rest. – Christen Mandracchia7 years ago
The fact that it's a war movie makes her character stand out most. She's socially awkward and clumsy, but she still joins the army to save her father. That takes sacrifice and courage on its own, but she later grows more confidant and takes more risks. She even taking leadership in the final battle. Like you said, her character isn't based on some trope, she's just doing what needs to be done. Her humility is another admirable trait, as seen when she turns down a position in the palace to return home. What makes her realistic is how she reflects real-life soldiers. They know the sacrifice they're making, but they would give anything to see their families again. We didn't have a character arc like Mulan's until Moana came out eighteen years later. – MaryJane7 years ago
Treasure Planet and Atlantis are both two early 2000s Disney movies that both had a steampunk/sci-fi vibe going for them. However, besides their few loyal followers, they are largely unpopular compared with the more mainstream movies such as The Lion King, The Little Mermaid, and Frozen. Why did Disney's era of "steampunk" animations seem to fail with their audience?
I'd highly recommend the video essay "Disney's Biggest Mistake" as it goes in-depth as to why Disney's own marketing, mismanagement, and meddling went to to destroy Treasure Planet's own chances at success. It's such a shame too, as I think both these movies are pretty good. Treasure Planet is genuinely so well-written and well-animated that it's really saddening to see it fail commercially. – Dimitri7 years ago
They did suffer from poor marketing and behind the scenes politics, true, but I think, while enjoyable, they also suffer from significant issues in content. I'd also look at Atlantis's "scandalous" PG rating, and how it effected box-office performance (similar to The Black Cauldron in the 80's). In general, the early 2000's was a rough time for Disney--maybe look at how the politics led to their problems, and whether the steampunk genre was something worth pursuing for Disney, and executives blamed the genre for their failure rather than the execution. – Allie Dawson7 years ago
Lately, Disney and Pixar films have been touching on some deep themes and subject matter that normal children's films wouldn't dare approach. Disability as a strength in "Finding Dory," loss and overcoming grief in "Big Hero 6," and self acceptance in "Frozen" to name a few. Why is it beneficial to present such weighty topics to children? How can this positively impact the younger generation?
I think by normalizing these tough subjects through the use of fun/beloved characters children can come to their own understanding of mental illness/disability/trauma.
Like instead of being a movie about a character who hates herself and who she is doesn't matter, Disney created a character out of Elsa that people (kids and adults alike) can connect to. This humanizes these real-world issues in a way that kids can at least kind of understand, even if the movies don't go too intense on these serious issues. Like, by knowing Dory and how her memory loss impacts her, kids can get to to know the character and love her - with the disability included as just a part of who she is. It doesn't detract from who she is, it's just a part of her and who she is. – Dimitri7 years ago
I agree with what Dimitri has written. The truth is that children these days are becoming more and more accustomed to social media- which means the risk of them seeing these adult topics in an adult fashion is only increasing. Showing it to them in a kid-friendly way- with heroes that they can be inspired by and look up to- is a great way of broaching the topic and perhaps even starting a discussion about it. It also helps that more and more female heroes are being introduced into these movies- now both boys and girls have someone they can look up to! – Thenoshman7 years ago
Love this topic! Children are a lot smarter than we give them credit for, and I think Disney has made some great choices in the topics they choose to present, as well as the way they are presented. I just might grab this one... :) – Stephanie M.7 years ago
This is a great topic, Disney have done some really great things in helping children understand topics that are quite difficult to express to them. As an adult, I find some of the films heartbreaking but an important lesson for all the children watching while their minds are still developing. – jesschaudhry7 years ago
Really interesting topic and worth exploring. To add a new slant/get the most out of this discussion, I would suggest contrasting the newer 'deep' themes with Disney's original intentions. When he established the company, Walt Disney stated that his films appealed to "that fine, clean, unspoiled spot down deep in every one of us." This aim is evident in a lot of his early, sanitised adaptions of fairy tales, where traditional ideas of female maturity are eschewed in favour of idealising childlike innocence. There's also been a tendency for Disney films to omit darker themes, such as the original endings of Snow White and The Little Mermaid, even though these stories have been told to children to centuries. This newer tendency to depict more emotionally hard-hitting themes is a far cry from Disney's appeal to the "unspoiled spot", but it shows how far the company has come in its time. Now, Disney is willing to adapt to a new age that recognises and explores the difficulties that children are likely to encounter in their lives, instead of just covering them up. – EllyB7 years ago
In my opinion hitting these tooics in a big company like Disney isn’t that bad. You have to think about the kids today and of course they grow up to fast. We live in a progressive era where technology exists and social media controls society. Of course the old disney had shows where they talked about topics like this. Our life wont always be a fairytale and I think thats is what Disney is trying to capture in their new movies and shows. They want to have a theme. A real theme and formulate it into a kid friendly way even though the adults will notice it. – 2klonewolf6 years ago
I've actually written a full essay about the connection between Elsa's struggles and my own with anxiety that I hope to publish here. I like that Disney isn't afraid to explore these topics in a relatable way, so that even if kids don't know how to verbalize what they're thinking and feeling, they still come to understand that they're not alone. That's the most important realization I've made yet! – EnsignBush6 years ago
Animation has always amazed me. Everything from the artist who created the objects to the story blows my mind. For this specific topic, I think it would be interesting to examine how the absence of human actors changes the way a story or theme is perceived. For example, Zootopia is told from the point of view of animated animals. Yet, the film discusses heavy themes of preconceived judgment against specific groups. Most animated films are geared towards children. Why is this? What about those that are meant for adults? How does animation affect a film's narrative?
I feel there has been more of a push to deliver important social messages to humans at younger, more vulnerable ages. We can, I think, see the effects of this on the generational political opinions, especially as younger voters start to stretch the elastic of the bipartisan system. Companies that embrace open-mindedness and project these ideas through their marketing are often praised for their messages. When Coca-Cola featured a gay couple in their Super Bowl ad, for example. As far as your point about animation goes, it seems like a vehicle for these same messages to more accessible. Not just for kids, but for everyone. Social change, equality, and similar ideas don't always have to be discussed in stuffy rooms by well-dressed politicians. They can be accessed and discussed by the common person, even if not everyone may agree on the particular topics. Brightly-colored, animated bunnies with cartoon eyes simply serve as a friendly, introductory face for these conversations. – Analot7 years ago
A really interesting topic, and I feel like it could get into some real nitty-gritty stuff regarding animation as a visual medium. While I'm not nearly as versed in Western animation, there are several studies on anime that can be very useful. First and foremost I recommend checking out Thomas LaMarre's book "The Anime Machine", which particularly discusses the cell animation stand as anime's equivalent to the film camera, and how its technical qualities has shaped the visual and perceptual language of the medium in a wide variety of aspects. I also know that Christopher Bolton has written about the split between signifying form and signified content in anime in his essay "From Wooden Cyborgs to Celluloid Souls" - although I'm only familiar with it second-hand through Carl Silvio's essay "Animated Bodies and Cybernetic Selves" which relates Bolton's ideas to theories of posthumanism (a read that I also highly recommend). – blautoothdmand7 years ago
This is a really interesting topic! And it is quite palpable how kid-oriented animation is, particularly when you come across animated films that are not geared toward children. There is a jarring, unsettling juxtaposition in animated films like Plague Dogs, Felidae, Watership Down and Animal Farm that deal with mature themes without the sugar coating we've been conditioned to expect with animation. Granted, these are older films so animation wasn't quite as established for children the way it is now in the west. I think taking a look at Animal Farm in particular might help with this topic, considering it follows similar concepts as Zootopia but with far more negativity on the matter (considering the environment Orwell was writing in). – caffeine7 years ago
While many films, particularly those with fanciful settings, are visually spectacular, sometimes, when concept art is released, I personally find that the rejected concepts are much more spectacular than the final product. What are some deciding factors for what makes it to the final film and what remains an illustration?
I would talk about what things can set concept art from making it into the final film, such as with budget constraints.
– BMartin437 years ago
